

He is a beta tester for Maya, Katana, RenderMan and Nuke, a member of the VES, and has taught artist working for companies such as Industrial Light and Magic, Framestore, Weta Digital, Dreamworks Animation and Animal Logic. He has worked as CG and Assist VFX Supervisor on a number of shows and currently heads up The Foundry’s ‘Nuke Accreditation Program’.

Over the years he has worked on feature films, TV shows and commercials using a mix of tools including Maya, Softimage Katana, Mari, RenderMan, Arnold, Nuke, Fusion and After Effects. Matt Leonard is a VFX artist and trainer who has been in the 3D and Visual Effects industry since 1990. He has a BSc, a Masters and is currently completing his PhD (part time) on Digital Human Faces. Mike is a regular contributor to Wired Magazine and makes a mean Margarita. Mike currently based in Sydney Australia, but has worked in the USA and London. Mike is an AFI Feature film vfx award winner and a Emmy Award nominee in the USA. Mike has worked for many years in R&D and production especially in the area of TVCs where he was known for his pioneering work in compositing on Flame. Mike is a writer, consultant, lecturer and educator and co-founder of and. Patrick Stewart de-aged for Wolverine – image


Leonard and Jason Diamond don’t shrink away from the chance to talk about the visual effects in the latest Marvel franchise film, Ant-Man.ĭneg - VFX Supervisor - Alex Wuttke, CG Supervisor - Artemis Oikonomopoulou,Ĭase Study: How to make a Captain America wimp (Skinny Steve story on fxguide)Īnt-Man: Marvel’s heist film By Mike Seymour
